Photographer Richard Mosse ((b. 1980, Dublin, Ireland)) has spent the last two years shooting a new series of work titled Infra in the eastern Congo. The artist is known for his restrained and highly aestheticized views of sites associated with violence and fear, such as his 2008 depictions of the war in Iraq, and his large-scale photographs of airplane crash sites and emergency drills. For his work in the Congo, Mosse used Kodak Aerochrome, an infrared film designed in connection with the United States military to detect camouflage in the 1940s. The film reveals a spectrum of light beyond what the human eye can perceive, turning the lush landscape of the Congo into a bubblegum pink. This hue contrasts dramatically with the severe environment within which the people of the eastern Congo live and draws our attention to the complex social and political dynamics of the country. Beginning in 1998, the Democratic Republic of the Congo (formerly Zaire) became the site of the widest interstate war in modern African history, which has claimed millions of lives. Although the conflict was thought to have subsided in 2006, with the first free elections, thousands continue to die as a result of the ongoing conflict, most due to hunger and disease.
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Richard Mosse
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