Hiroshi Sugimoto was born in Tokyo, Japan in 1948, and lives and works in New York and Tokyo. His interest in art began early. His reading of André Breton’s writings led to his discovery of Surrealism and Dada and a lifelong connection to the work and philosophy of Marcel Duchamp.
Central to Sugimoto’s work is the idea that photography is a time machine, a method of preserving and picturing memory and time. This theme provides the defining principle of his ongoing series including, among others, “Dioramas” (1976-); “Theaters” (1978-); and “Seascapes” (1980-). Sugimoto sees with the eye of the sculptor, painter, architect, and philosopher
Sugimoto's Theatres series involved photographing old American movie palaces and drive-ins, exposing the film for the duration of the entire film, the film projector providing the sole lighting. The luminescent screen in the centre of the composition, the architectural details and the seats of the theatre are the only subjects in the photographs, and the unique lighting gives the works a surreal look, as a part of Sugimoto's attempt to reveal time in photography.
"I try to never be satisfied; this way I will always be challenging my spirit "
~ Hiroshi Sugimoto
For his 2009 series Lightning Fields he abandoned the use of the camera, producing photographs using a 400,000 volt Van de Graaff generator to apply an electrical charge directly onto the film. The highly detailed results combine bristling textures and branching sparks into highly evocative images.
Central to Sugimoto’s work is the idea that photography is a time machine, a method of preserving and picturing memory and time. This theme provides the defining principle of his ongoing series including, among others, “Dioramas” (1976-); “Theaters” (1978-); and “Seascapes” (1980-). Sugimoto sees with the eye of the sculptor, painter, architect, and philosopher
Sugimoto's Theatres series involved photographing old American movie palaces and drive-ins, exposing the film for the duration of the entire film, the film projector providing the sole lighting. The luminescent screen in the centre of the composition, the architectural details and the seats of the theatre are the only subjects in the photographs, and the unique lighting gives the works a surreal look, as a part of Sugimoto's attempt to reveal time in photography.
~ Hiroshi Sugimoto
For his 2009 series Lightning Fields he abandoned the use of the camera, producing photographs using a 400,000 volt Van de Graaff generator to apply an electrical charge directly onto the film. The highly detailed results combine bristling textures and branching sparks into highly evocative images.
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