Showing posts with label Étienne-Jules Marey. Show all posts
Showing posts with label Étienne-Jules Marey. Show all posts

Gun Cameras



A Colt 38 Camera Revolver


In 1938, this curious device made its way through the streets of New York: A Colt 38 revolver which, when its trigger was pulled, simultaneously snapped a picture and fired a bullet. Shoot first and figure out later who it was.


 C.I.A. single-shot gun-camera (1966)
The Stinger is a single-shot re-loadable .22 magnum pen-gun, perhaps the single most popular weapon of the C.I.A. In 1966 the Stinger has been "swallowed" by an Asahi Pentax 35mm SLR and properly cocked via camera’s film advance lever. It shot by shutter release button breaking the lens elements in front of it. James Bond Inspired I gather, not the other way around.





 The Revolver Photographique (Thompson’s Revolver Camera) was manufacturer in Paris, France in 1862. Although it does not shoot bullets it would however make your subjects think twice about a close up.

“Designed by Thompson. Brass pistol-shaped camera with scope, wooden pistol grip, but no barrel. Takes four 23mm diameter exposures in rapid succession on a 7.5 cm circular wet plate. Ground glass focusing through the scope which is above the cylindrical plate chamber. Petzval f2/40mm lens, single speed rotary shutter behind the lens shutter. The lens is raised and sighted through to focus, then dropped into place in front of the plate, automatically releasing the shutter. The circular plate was then rotated ¼ turn and was ready for the next exposure.”






Marey’s Photographic Gun
Étienne-Jules Marey was a french scientist and pioneer of the history of film who studied movement and aviation through photography in the late 1800’s.  In 1882, he made this chronophotographic gun, which was capable of shooting 12 consecutive frames per second.

An image from Marey's camera gun:



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Artist Marcel Duchamp's Inspiration for the Masterpiece NUDE DESCENDING STAIRCASE No.2 Was Stroboscopic Photography.

Duchamp depicts motion by successive superimposed images, similar to stroboscopic motion photography. Duchamp also recognized the influence of the stop-motion photography of Étienne-Jules Marey, particularly Muybridge's Woman Walking Downstairs from his 1887 picture series, published as The Human Figure in Motion.


Nude Descending a Staircase, No. 2  is one of my favourite paintings . I have a large print of it hanging in my bedroom. When I first saw it I was struck by the sense of movement and graphic linear quality. At the time I didn't realize it was photography that inspired Duchamp to make this masterpiece. 


Nude Descending a Staircase, No. 2 (French: Nu descendant un escalier n° 2)  1912


Étienne-Jules Marey
Étienne-Jules Marey


  The picture above was taken by Eliot Elisofon, Marcel Duchamp Descending a Staircase, 1952. I think that these two side by side really show what Duchamp was attempting to achieve in his painting style. He was trying to show a figure moving through time in a still painting




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